DrEuripides Altintzoglou

Senior Lecturer in Fine Art

Faculty of Arts, Business, and Social Sciences

  • Senior Lecturer in Fine Art
    Faculty of Arts, Business, and Social Sciences
  • +44 (0) 1902321948 (Work)
  • University of Wolverhampton, Wolverhampton School of Art, Molineux Street, Wolverhampton, WV1 1DT, United Kingdom

TEACHING INTERESTS

Euripides's teaching within the BA (Hons) Photography program spans a diverse range of subjects, including Portraiture & Identity, Site & Place, Studio Strategies, and Appropriation. As a dedicated educator, he leads tutor groups and supervises dissertations for both undergraduate and postgraduate students.

 

His lectures emphasise the theoretical analysis of topics such as Repetition in Error, Archive, Appropriation, and Post-Memory, Fictions of the Self, Portraiture and Being, Change and the Role of the Artist, The Nature of Protest, Strategies for Engagement, and Tactics of Dissemination, among others.

 

Euripides also supervises PhD research in areas including:

 

  • Image Cultures
  • Philosophical Aesthetics
  • Phenomenology of Change
  • Emergence of Political Agency
  • Avant-Garde and Institutional Critique
  • Conceptual and Post-Conceptual Art
  • Radical Portraiture
  • The Post-Digital Image
  • Post-Truth and Fake News

TEACHING ACTIVITIES

  • RESEARCH-BASED DEGREE SUPERVISION
    BDSM, Transgression, and the Self: Overcoming emotional estrangement in modern day capitalism through sexual deviancy.
    16 May 2025
  • DOCTORAL EXAMINATION
    A Qualitative Analysis of the Origins and Maintaining Factors of Self-Critical and Self-Reassuring Thinking Styles Within the Professional Student Ballet Population.
    24 Mar 2025
  • DOCTORAL EXAMINATION
    Socially Necessary Labour: Countering the Regime of Speculative Capital. A Decolonial Case-Study from the East-Central European Semispheries in the Age of Illiberal Democracy
    10 Mar 2025
  • DOCTORAL EXAMINATION
    Exploring the Relaxation Potential of Nature Soundscapes and Photography Through Field Recordings and Meditation Walks
    9 Jan 2025
  • DOCTORAL EXAMINATION
    The role of antibiotics in preventing infectious and its complications in dental surgical procedures
    16 Dec 2022
  • DOCTORAL EXAMINATION
    The Incredible Disappearing Soldier and Other Adventures in British Military Recruitment: How is masculine identity constructed by British military recruitment films in the decades 2000 – 2020?
    9 Dec 2021
  • RESEARCH-BASED DEGREE SUPERVISION
    Kicking Over the Traces: The implications of Trace and Tracing-as-Art
    6 Apr 2021
  • RESEARCH-BASED DEGREE SUPERVISION
    The Conduct of Encounters: Arts Contribution to Computational Reason
    5 Jan 2020
  • RESEARCH-BASED DEGREE SUPERVISION
    Modular making: The Unique from the Repeat
    2 Dec 2019 - 16 Dec 2024
  • DOCTORAL EXAMINATION
    Effect of ATF2 transcription factor on DLL4 gene expression in angiogenesis
    1 Nov 2019
  • RESEARCH-BASED DEGREE SUPERVISION
    Chernobyl Journey: Process and Subversion in Women’s Self-Reflexive Animation
    1 Oct 2018 - 12 Dec 2024
  • RESEARCH-BASED DEGREE SUPERVISION
    Intersectional Neurodiversity: An alternative Theory of Mind
    1 Sep 2018
  • RESEARCH-BASED DEGREE SUPERVISION
    Disrupted Words and Images in Space: a New Contextualisation for Digital Poetry
    6 Jun 2016 - 29 Jun 2026
  • RESEARCH-BASED DEGREE SUPERVISION
    Micropolitics and Southern European Socially Engaged Art Practices in the Age of Austerity
    1 Feb 2014 - 15 Jun 2025
  • RESEARCH-BASED DEGREE SUPERVISION
    The Curator as Producer in Socially Engaged Art, 1993-2015
    1 Feb 2012 - 22 Aug 2016